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Drafting the Future: Comic Book Contract Negotiation and Drafting Practicum

SKU: IPR022
General Credits
2
Price$100
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Description

This intensive CLE course is designed for those ready to master contract negotiation and drafting in the comic book industry.

Attendees will participate in practical exercises, simulating real-world scenarios that reflect the latest industry trends. The course will address the legal nuances of AI-generated art, the evolving digital marketplace, and the emerging legal challenges facing creators and publishers. Special attention will be given to understanding the ramifications of the Warner Chappell v. Nealy case and the Fair Use After Warhol decision on contract language and creator rights.

This is an intensive two-hour course: attendees will do write a rough draft of key comic book agreement provisions, engage in client interview exercises tailored to the comic book industry, dive into mock negotiations, and issue-spot common problems in publishing contracts. Facilitated by seasoned comic book publishing attorneys, attendees will get a chance to issue-spot, draft, and engage in mock negotiations.

Lecturer Bios

Thomas A. Crowell, Esq.

Thomas A. Crowell, Esq. counsels clients on intellectual property matters and a broad spectrum of legal issues across media sectors including publishing, film, television, merchandising, licensing, music, video games, manufacturing, and the graphic arts. A seasoned negotiator, he leads deals for client programming featured on networks such as Nickelodeon, Discovery, Starz, DIY Network, TLC, SyFy, WE, and the Smithsonian Channel. With extensive experience in both narrative and unscripted television, he has also collaborated with the Dominican Republic Film Commission to help harmonize the country’s motion picture legislation with that of the United States.

Crowell represents several comic book publishing companies as well as many of the industry’s most notable artists and writers. He is the co-creator and former Director from Practice of The Indie Film Clinic at the Benjamin N. Cardozo School of Law, and the Executive Director, emeritus, of New Jersey Volunteer Lawyers for the Arts. Since 2015, he has taught continuing legal education courses on comic book legal practice at NY Comic Con and numerous other conventions nationwide. He currently serves as the copyright, intellectual property, and media law professor at CUNY School of Law in New York City.

An avid writer, Crowell is the series editor of Focal Press’s “Pocket Lawyer for…” series of legal guides for artists and the author of The Pocket Lawyer for Filmmakers (Focal Press, 3rd ed. 2024) and The Pocket Lawyer for Comic Book Creators, the first dedicated legal guide to the comic book industry. He is also a contributing author for LexisNexis in its entertainment law division.

Before entering the legal profession, Crowell worked as a television reporter, producer, and production executive, and later served as the Director of Business and Program Development for The Science Technology Network. He has written comics for Waxwork Comics and created the 1990s children’s television show Professor Potto’s Videolabs, which received the National Parenting Center Seal of Approval.

More information about his lectures and publications is available at his website: www.thomascrowell.com

Jason Yarn, Esq.

Jason Yarn, Esq. has been an agent for ten years and an attorney for six, working in the literary department and business affairs at Paradigm Talent Agency before going out on his own. His agency represents award winning and #1 New York Times bestselling authors of fiction and non-fiction for adults and children, in addition to handling film and television rights.

https://www.jasonyarnliteraryagency.com
@kalyarn

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